Month: June 2019
John Hale in the Crucible
How is it possible for one to be so benevolent, yet still stimulate so much controversy and even death? In Arthur Millerr's The Crucible, we see Reverend Haler's naivety, altruism, and sincere nature that leads him to have too much faith in humanity and cause many issues throughout the play.
At the beginning of The Crucible, we can see Reverend Haler's altruistic nature, and his desire to help people, a hidden characteristic because of the manipulation he falls for and the aggressive interrogations he does at the beginning of the play. His eagerness to solve problems can sometimes have consequences. Hale is first summoned to Salem by Reverend Parris, so he can examine his daughter, Betty, to determine if she has been afflicted. Before Hale examines Betty, he wants to be sure that Parris is willing to listen to his advice. He tells Parris, We cannot look to superstition in this. The Devil is precise; the marks of his presence are definite as stone, and I must tell you all that I shall not proceed unless you are prepared to believe me if I should find no bruise of Hell upon her (Miller 12). Hale is taking his job seriously and wants to make sure that everyone else is as well. He is not just doing this for money or selfish reasons, but rather uses his skills to help people. After Hale arrives, Abigail accuses Tituba of witchcraft to clear her name, and as a result, Tituba receives an interrogation from Hale to find out if she is telling the truth and to help Tituba if she is. He tells her to, Take courage, you must give us all their names.
How can you bear to see these children suffering? Look at them, Tituba-look at their God-given innocence; their souls are so tender; we must protect them, Tituba; the devil is out and preying on them like a beast upon the flesh of the pure lamb...God will bless you for your help (17) Hale wants to help the innocent children he thinks have been afflicted, and by recognizing their innocence when talking to Abigail, it is his attempt to trying to help them. Later on, Hale goes to the Proctors home to question them himself before they appear in court, so he does not jump to conclusions about their innocence. When he concludes that they are innocent, he tries to help them. He says, God keeps you both; let the third child be quickly baptized, and go you without fail each Sunday into Sabbath prayer; and keep a solemn, quiet way among you (30). Hale tells the Proctors to try to appear more Christian so no one will question them and their faith. Compared to other characters such as Reverend Parris and Abigail , Hale is not in it to help himself, and he is genuinely trying to help people. Reverend Hale arrives in Salem in response to Reverend Parrisr's cry for help and although some of the accusations he made may have ended up hurting people, he dedicates his life to his faith and helping people.
In the middle and end of the play, we can see Reverend Haler's naivety toward the court which later leads to internal conflict and severe consequences. Before Hale jumps to any conclusions, he goes to visit the Proctors to see for himself if he thinks they are innocent. He tells them, ''I am a stranger here, as you know. And in my ignorance, I find it hard to draw a clear opinion of them that come accused before the court (31). Hale is acknowledging the fact that his judgment may be clouded due to the bias of the people whom he is getting information from; therefore, he must make his own decisions. Hale is speaking to Proctor when Elizabeth is being taken away under the charge of witchcraft. Hale pleads, Charity, Proctor, Charity”what I have heard in her favor I will not fear to testify in court. God help me, I cannot judge her guilty nor innocent I know not. Only this consider the world goes mad, and it profits nothing you should lay the cause to the vengeance of a little girl (26). Hale believes that Goody Proctor will be released, but realizes he is wrong and the trust he has within the court fades. Francis Nurse is concerned about the future of his wife after she is charged with witchcraft, and Hale tells him the court make the right decision. He tells Nurse, "Believe me, Mr. Nurse, if Rebecca Nurse be tainted, then nothing's left to stop the whole green world from burning. Let you rest upon the justice of the court; the court will send her home, I know it (31). When Hale says this, it proves that he fully trusts the court. He thinks they will release the innocent and punish the guilty. Coming into Salem, Hale has full trust in the justice system and that they will do their job, however, as the trial progresses, he begins to realize that the court can have alternative motives.
By looking at Reverend Hale at the end of Tthe Crucible, we can see the sincere guilt he has for the innocent people dying. The longer Hale is in Salem, the more aware he becomes of the corruption within the court. Hale is in the vestry room of the Meeting House where an examination is going on when Abigail pretends that Mary Warren, the Proctorr's maid, is sending sends a freezing wind through the courtroom and is sending her spirit out in the shape of a bird to hurt her. The judge believes Abigail and arrests Proctor and Corey. Hale is outraged by her obvious lies and even goes as far as to quit histhe job. He exclaims, I denounce these proceedings! I quit this court! (57). Hale devotes his life to his job and to quit and announce witchcraft as fraud proves he is a sincere and honest man. This is ironic because many of the other characters in the play do things solely to helping themselves, while Hale is just looking out for other people. After Hale has been gone for some time, he returns to Salem to try to fix what he feels as though it is his fault. He tells Danforth, Why, it is all simple. I come to do the Devil?s work. I come to counsel Christians they should belie themselves. There is blood on my head! Can you not see the blood on my head! (62). Hale feels responsible for the executions because as they expect in the situation, he feels culpable for the situation. After Proctor is arrested and sentenced to a hanging because of being found guilty, Hale tries to convince Goody Proctor to persuade John to confess, so he does not die. He tells Goody Proctor, I would save your husband?s life, for if he is taken I count myself his murderer. Do you understand me? (63). Hale wants so desperately for Proctor to confess because he blames himself and does not want another death on his hands. Hale believes too much in the honesty of the court and leads him to be guilty.
After studying Reverend John Hale in depth, one can come to the conclusion that although he may have caused a few problems throughout the play, he still always had goodwill. Hale truly believed he was doing the right thing, but is easily manipulated. This is prevalent in our society, when one has too much faith in people, allowing them to be easily taken advantage of.How is it possible for one to be so benevolent, yet still stimulate so much controversy and even death? In Arthur Millerr's The Crucible, we see Reverend Haler's naivety, altruism, and sincere nature that leads him to have too much faith in humanity and cause many issues throughout the play.
At the beginning of The Crucible, we can see Reverend Haler's altruistic nature, and his desire to help people, a hidden characteristic because of the manipulation he falls for and the aggressive interrogations he does at the beginning of the play. His eagerness to solve problems can sometimes have consequences. Hale is first summoned to Salem by Reverend Parris, so he can examine his daughter, Betty, to determine if she has been afflicted. Before Hale examines Betty, he wants to be sure that Parris is willing to listen to his advice. He tells Parris, We cannot look to superstition in this. The Devil is precise; the marks of his presence are definite as stone, and I must tell you all that I shall not proceed unless you are prepared to believe me if I should find no bruise of Hell upon her (Miller 12). Hale is taking his job seriously and wants to make sure that everyone else is as well. He is not just doing this for money or selfish reasons, but rather uses his skills to help people. After Hale arrives, Abigail accuses Tituba of witchcraft to clear her name, and as a result, Tituba receives an interrogation from Hale to find out if she is telling the truth and to help Tituba if she is. He tells her to, Take courage, you must give us all their names.
How can you bear to see these children suffering? Look at them, Tituba-look at their God-given innocence; their souls are so tender; we must protect them, Tituba; the devil is out and preying on them like a beast upon the flesh of the pure lamb...God will bless you for your help (17) Hale wants to help the innocent children he thinks have been afflicted, and by recognizing their innocence when talking to Abigail, it is his attempt to trying to help them. Later on, Hale goes to the Proctors home to question them himself before they appear in court, so he does not jump to conclusions about their innocence. When he concludes that they are innocent, he tries to help them. He says, God keeps you both; let the third child be quickly baptized, and go you without fail each Sunday into Sabbath prayer; and keep a solemn, quiet way among you (30). Hale tells the Proctors to try to appear more Christian so no one will question them and their faith. Compared to other characters such as Reverend Parris and Abigail , Hale is not in it to help himself, and he is genuinely trying to help people. Reverend Hale arrives in Salem in response to Reverend Parrisr's cry for help and although some of the accusations he made may have ended up hurting people, he dedicates his life to his faith and helping people.
In the middle and end of the play, we can see Reverend Haler's naivety toward the court which later leads to internal conflict and severe consequences. Before Hale jumps to any conclusions, he goes to visit the Proctors to see for himself if he thinks they are innocent. He tells them, ''I am a stranger here, as you know. And in my ignorance, I find it hard to draw a clear opinion of them that come accused before the court (31). Hale is acknowledging the fact that his judgment may be clouded due to the bias of the people whom he is getting information from; therefore, he must make his own decisions. Hale is speaking to Proctor when Elizabeth is being taken away under the charge of witchcraft. Hale pleads, Charity, Proctor, Charity”what I have heard in her favor I will not fear to testify in court. God help me, I cannot judge her guilty nor innocent I know not. Only this consider”the world goes mad, and it profits nothing you should lay the cause to the vengeance of a little girl (26). Hale believes that Goody Proctor will be released, but realizes he is wrong and the trust he has within the court fades. Francis Nurse is concerned about the future of his wife after she is charged with witchcraft, and Hale tells him the court make the right decision. He tells Nurse, "Believe me, Mr. Nurse, if Rebecca Nurse be tainted, then nothing's left to stop the whole green world from burning. Let you rest upon the justice of the court; the court will send her home, I know it (31). When Hale says this, it proves that he fully trusts the court. He thinks they will release the innocent and punish the guilty. Coming into Salem, Hale has full trust in the justice system and that they will do their job, however, as the trial progresses, he begins to realize that the court can have alternative motives.
By looking at Reverend Hale at the end of Tthe Crucible, we can see the sincere guilt he has for the innocent people dying. The longer Hale is in Salem, the more aware he becomes of the corruption within the court. Hale is in the vestry room of the Meeting House where an examination is going on when Abigail pretends that Mary Warren, the Proctorr's maid, is sending sends a freezing wind through the courtroom and is sending her spirit out in the shape of a bird to hurt her. The judge believes Abigail and arrests Proctor and Corey. Hale is outraged by her obvious lies and even goes as far as to quit histhe job. He exclaims, I denounce these proceedings! I quit this court! (57). Hale devotes his life to his job and to quit and announce witchcraft as fraud proves he is a sincere and honest man. This is ironic because many of the other characters in the play do things solely to helping themselves, while Hale is just looking out for other people. After Hale has been gone for some time, he returns to Salem to try to fix what he feels as though it is his fault. He tells Danforth, Why, it is all simple. I come to do the Devil?s work. I come to counsel Christians they should belie themselves. There is blood on my head! Can you not see the blood on my head! (62). Hale feels responsible for the executions because as they expect in the situation, he feels culpable for the situation. After Proctor is arrested and sentenced to a hanging because of being found guilty, Hale tries to convince Goody Proctor to persuade John to confess, so he does not die. He tells Goody Proctor, I would save your husband?s life, for if he is taken I count myself his murderer. Do you understand me? (63). Hale wants so desperately for Proctor to confess because he blames himself and does not want another death on his hands. Hale believes too much in the honesty of the court and leads him to be guilty.
After studying Reverend John Hale in depth, one can come to the conclusion that although he may have caused a few problems throughout the play, he still always had goodwill. Hale truly believed he was doing the right thing, but is easily manipulated. This is prevalent in our society, when one has too much faith in people, allowing them to be easily taken advantage of.
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John Hale In The Crucible. (2019, Jun 14).
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Phenomenon of the Industrial Revolution
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Poetry in Romanticism Period
Poetry is a style of writing many people used to express themselves during the Romanticism period. In class, we learned about poetry during the Romanticism period and also read a poem called Nature by Henry Wadsworth Longfellow. This poem has many characteristics of the Romantic literary period. A few of the characteristics that stand out are emotions and the usage of a childr's innocence. Romanticism authors focus more on emotions rather than reason and logic and that is seen throughout this poem. Another strong characteristic seen in this poem is the use of a childr's innocence and wisdom. This also makes this poem strongly identify with the Romantic literary period.
An example from the poem in which Longfellow uses childr's innocence is when he says, Leads by the hand her little child to bed, Half willing, half reluctant to be led, And leave his broken playthings on the floor. This part of the poem describes an innocent child being led by his/her mother to bed with mixed feelings about continuing to play with his/her toys verses going to bed. This shows the innocence of a child that can be torn from doing what they want to do compared to having their parents tell them to do the responsible thing. This first half of the poem is a perfect example of the use of the emphasis of children's innocence and wisdom in the romantic period writing.
Longfellow also uses characteristic of emotions and feelings throughout the poem Nature. Emotions and feelings are expressed when Longfellow says So Nature deals with us, and takes away, Our playthings one by one, and by the hand, Leads us to rest so gently, that we go. At this part of the poem Longfellow is expressing how in life and nature as we get ready for death, things are slowly taken away from us to prepare us for the next stage in the cycle of life. In reading this excerpt, you get a strong understanding of how a person may feel as they get ready for death and not knowing what to expect. At this stage one doesnt have all the answers and the emotions must be very intense as you accept that death is the next phase coming. He also ties this back to the child whose toys are taken away when they are getting ready for bed.
In conclusion, Longfellowr's poem Nature clearly shows characteristics of the Romantic literary period with his use of emotion/feelings, and childrens innocence/wisdom. Romantic authors believed that childhood is good and emotions drove them to write stories which are expressed with an emotional point of view versus logic. The Romantics believed in following intuition rather than reason, as Longfellow does throughout his poem.
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Romanticism: the Power of Imagination
Romanticism
The word romanticism was initially used to describe new ideas in literature and painting. Afterward, the term Romanticism stood for the most famous intellectual movement that originally generated in Europe toward the end of the eighteenth century (Cranston M. W., & Cranston, 1994). At the end of the eighteenth century and well into the nineteenth century, romanticism rapidly spread throughout Europe and the United States to challenge the rational concept held so tightly within the Enlightenment, the former intellectual and philosophical movement that contained a range of ideas centered on reason as the fundamental source of authority and legitimacy. Romanticism embraced subjectivity and individuality opposing to the excessive insistence on logical thoughts. That is, the emphasis changed into the significance of the individualr's experience in the world and the interpretation of it, rather than interpretations declared by tradition or church. With its emphasis on the emotion and imagination, Romanticist participants began exploring various psychological and emotional states as well as moods. Moreover, they found their voices across many genres, including music, art, and architecture (Rebecca S., 2018). The word Romanticism can be defined as a conduct which strongly emphasizes and express the individualr's emotions and innovations. Some reasons and background are supporting why romanticism can be categorized in this way.
One of the first important applications of the term romanticism to music was in 1789, in the Memoires by the Frenchman Andre Gretry. It was E.T.A. Hoffmann who set up the principles of musical romanticism, in an 1813 article on Beethovenr's instrumental music, and in a review of Ludwig van Beethoven's Fifth Symphony published in 1810. It was Hoffmannr's combination of ideas already associated with the term Romantic, used in opposition to the formality and restraint of classical forms, elevating music, and especially instrumental music, to a dominant position in Romanticism. Romantic music was regarded as the art most suited to the expressions of emotions. During the romantic period, the form of music became more expressive, coping with the artistic, literary, and philosophical themes of the time. Motivated by this fact, some researchers examined the hypnosis that minor-mode music from the period of romanticism is more likely to perform louder dynamic levels than music composed within the classical period.
In addition to conveying passive emotions, the minor mode was more likely to be used to express effects that are related to higher dynamic levels, for instance, seriousness, passion or aggression (Ladinig, O., &Huron, D.,2010). On the other hand, The composers who are extensively regarded as representation in romantic music, such as Schubert and Schumann, sometimes apply quite conventional formal structures to certain genres. For instance, a book written by Nicholas Saul indicates a point. The movements of Schubertr's piano sonatas frequently follow the pattern of exposition (initial statement of the thematic material) development (variation of the initial thematic material), and recapitulation (return of the initial thematic material (Bowie, A., 2009, P.244). Still, the pattern within the section of the form can be incredibly innovative and expressive. During the romantic period, the composers found a way to convey their state of emotions. That is, making their musical works became emotionally expressive.
When the words Romantic art are mentioned, people might associate the meaning of words with love matters. While it is inappropriate for romantic arts to be defined in this way. Defining romanticism is not an easy work, but there are some main characteristics of romantic painting that can be identified. The application of the word Romance within artistic fields simply infers emotional art. Emphasizing on emotions is one of the typical romantic art perspectives. Take romanticism of portraits as an example, those portraits which were created within the romantic period were brought to life by giving the person eyes such as mirrors of the soul, a grimace, a smile, or a certain tile of the head. Moreover, the artists portrayed their subject describing madness, innocence, loneliness, virtue, greed or altruism by making use of the magic of brushes. The power of nature is another romantic arts characteristic. The artists greatly revered the power and mystery of nature, trying to reproduce its fascinating majesty on the canvas. There are many topics of natural disasters in romantic paintings, for instance, blizzards, fires, and volcanos. Take an art display called Calais Pier painted by JMW Turner, for example, this painting depicts the shipwrecks which are overshadowed by the swirling waves and the ominous sky (Victorian Era, 2018). Concerning about romanticism of art, the features is not only highly emotional expression but also exaggeratedly displayed power of nature.
Romanticism roused past styles in architecture, such as the Gothic style, which was originated in the mid- nineteen-century Gothic Revival. Other types of romantic architecture are illustrated in a variety of styles regarded as exotic since their replacement into a foreign setting in a more fanciful, less accurate format. Examples of exotic architectural styles include Egyptian-influenced homes, Asian-styled homes, and even Swiss chalets. These kinds of homes contain such exotic elements as Egyptian columns and small sphinx sculptures, or Japanese-inspired rooflines, or a Swiss chalet A-frame as a decorative overlay to the traditional European building type (Academic, 2008).
In conclusion, romanticism is the name initially given to a movement in many artistic fields. As time passed on, the primary meaning of the word Romanticism gradually changed, emphasizing on the power of imagination, and the source of inspiration.
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Romanticism in British Literature
Romanticism in British Literature
Romantic as a term, has come to mean many things, and that in itself means nothing at all, the variety of the possible meanings all reflect the complexity of romanticism, and the ideals it represents. Romanticism started around the start of the french revolution and and reflected opposite ideals of the enlightenment, and brought deeper reflection into poetry. The movement also started a new style of art, subjecting individualism, freedom of rules, and devotion to nature. Literature turned against the church, refuting the ideals of scientific stance for the fight of good vs evil and personal beliefs. Romanticism reflected heavily in british literature and caused changes in the pursuit of human connection and relationships, ways books were written, and brought the beginning of folk- spirit.
Romanticism as a movement is defined as a deepened appreciation of the beauties of nature; a general exaltation of emotion over reason and of the senses over intellect; a turning in upon the self and a heightened examination of human personality and its moods and mental potentialities (Britannica). Ideas of the enlightenment, and the industrial revolution were opposing views of romantics because those entities represented values of progress and rationality, not simplicity, and naturalness. The rural and the idea of minimal invasion of humans upon the natural world spread throughout Europe and would ultimately impact arts, and literature but society at large. Romantic cultural influences permanently altered the ways in which human emotions, relationships, and institutions were viewed, understood, and reflected into onward growth of humanity.
In the continuation of romantic influence in the human arts new styles, and representation of ideas strayed away from what was common into new and complex. Ideas started to change after the enlightenment ended in the 1790r's and became a manifesto for romantic poets, and a new style of analysis of the folk-spirit was characterized by the sentiment in characters and their experiences. The folk-spirit presented in the works of William Shakespeare flourished during this time as a few of his works were heavily tied to a national cultural identity (Emerick). Shakespeare also became popular for his works like A Midsummer Nightr's Dream for the fairytale elements that were a new style of writing that birthed from the romantic era. Authors who refuted the materialistic practices in their writing and opted for more of the potential beauty in nature, and human emotion were highlighted further than those who focused more on scientific perspectives. Once a powerful influence, the church began to lose hold among people and it was rigid, and set values that were reason over passion (Bramwell). Without common ground with european citizens the church lost hold, influence, and tradition as well as losing many people altogether.
Furthermore, the literary products changed positions on economics, politics, morals, and human interactions. Idealistic positions in life, such as royalty or elevated social status from riches, were replaced with the belief that through close attention, and effort most ordinary experiences in the human life could become extraordinary. In order to experience the new elevation in ordinary life many authors included new characteristics within their characters and the ways problems were faced, presented. Such values included creative expression accompanied with the belief of using extraordinary outlooks to elevate oneself into a higher plane of living, more intensely felt emotions in the quest to find oneself, and initiate stronger or deeper connections within others and society. The spontaneous and common outpours of emotions, almost as a confession, followed common emotions such as affection, longing, and sorrow. Shakespeare had many soliloquies, and monologues that followed the poetic outpour, these of which continued to influence writing, and character composition by allowing audiences to connect deeper with literature in the aspect of common human emotion. Economic, and political writings reflected opposite of industrialization and the advancement of technology because romantics believed these were inverting the prosperity of nature and hindering mankind's ability to create lifestyles with naturalness, and simplicity. With the growth of industry came social distruction between women, men, and minorities, and romantics wanted to redefine means of being modern in respects to early forms of feminism and being a citizen.
Along with values such as these the invention of the gothic horror novel flourished because of the ties into emotionalism. Gothic horror introduced the observational nature of human activity and exploration. Melodramas flourished for the intense sadness, and alienation encouraged by deeply felt emotions adding the position for narrators to give insight of emotions for the experiences of the characters. Authors in the romantic era were not confined to just functional writing, works ranged all the way into controversial outspoken social issues in oppression, retakes into childhood expression, and the revolution of imagination. Truly this was the beginning steps into the culture of rebellion. The writing of social injustice, and oppression arguably still effects journalism in modern times, and likely affected the beginning of commercialism many years after the romanticism era ended. Books such as The Jungle , The Lines We Cross, are examples of the outspoken controversy made popular by romantic writers that have still influenced literature today.
For many, romantics found the formals ways of life to be confining, and the subjectiveness approach literature took in some directions had a changed philosophical view. With the industrialization came a newer middle class, which has many entrepreneurs, and those brave enough to turn rags to riches by seeking their own vision. These actions tied into more factors of romantic literature by enlightening the human experience to struggle and by expressing ones vision to become meaningful in others or society. This struggle was seen as the natural way to conquer ordinary life, becoming unique in the will of man.
Bibliography
- Britannica, The Editors of Encyclopaedia. Romanticism. Encyclop dia Britannica, Encyclop dia Britannica, Inc., 6 Dec. 2017, www.britannica.com/art/Romanticism. Web.
- Richardson, Alan. British Romanticism and the Science of the Mind. Google Books, Cambridge University Press, 2004, books.google.com/bookshl=en&lr=&id=RgXo1E6tWxAC&oi=fnd&pg=PP1&dq=british%2Bromanticism&ots=6rjb4Rk8F-&sig=hyj4Io0FGYPMgfeL64eIRVscHTo#v=onepage&q=british%20romanticism&f=false. Print.
- Emerick, Carolyn. Folklore's Roots in the Romantic Era & Nationalist Movement. The Vkisch Folklorist, Eruopa Sun, 29 May 2017, www.carolynemerick.com/folkloricforays/folklores-roots-in-the-romantic-era-nationalist-movement.
- Bramwell, Bevil, and OMI. Romanticism and the Church. The Catholic Thing, The Catholic Thing, 29 Apr. 2017, www.thecatholicthing.org/2017/04/30/romanticism-and-the-church/.
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Doll House: Insight into Plight of Women
Henrik Isben has become an essential individual within the social dimensions and understanding the plight of women. Accordingly, the significant achievement in portraying women within the social aspect has been both unique and unusual through developing a different perspective about women. As such, the undeniable impact of the individual has been through the emphasis on creating drama on the evaluation of the rights of women. In a male-centric society, the play "A Doll House" presents a distinctive oversight about the womenr's position. Accordingly, the theme circumventing the rights of a woman is extensively prevalent. Women have to undertake a passive role in accepting their situation and focusing on individuality in accomplishing individual rights within society. Indeed, within the patriarchal society, the evident control that men asset on women is outright both in the 19th and 21st century. Accordingly, the evaluation of womenr's right as a prevalent theme is evident is divisionary and produces diverse perspectives.
The underlying social problem within Ibsenr's drama is the investigation into the rights of women across the patriarchal society. Accordingly, the focus on the tragedy in which the main character leaves her house with the ambition to make it in the world of possibilities is evident (Hill, 2010, 4). Nora takes off to undertake the personal responsibilities. The form of personal responsibility to empower oneself is prevalent throughout the story. As such, Nora vehemently states that which duties do you mean? Nora: my duties towards myself (Ghafourinia & Amili, 2014, 424). Majority of the pundits such as Ghafourinia & Amili, (2014, 425), emphasize that the rights of a woman within the society are at the center of the character development process. As opposed to living in an illusion with the man of her dreams, the main character focuses on making the necessary changes to create a transformative outcome.
As well, the men in Nora's life assert their control based on the belief that it is the man's role to declare both power and order in the daily interactive process. As a clear example, Helmer emphasizes the need to enhance reputation through making the necessary sacrifices for his life (Ghafourinia & Amili, 2014, 425). The patriarchal society revolves the notion that the man should assert control over the woman. Nonetheless, Norar's form of win is through the idea of self-development that entails becoming a woman in her own right. A society that treats her as a nullity is of concern and change should prevail. Accordingly, in a life of nullity whereby women are not appreciated for their role, Nora is willing to leave her family, marriage life and discard her full life to enjoy individuality.
The dramatic play shows that the audiences come to terms with the rigidity in morality of Helmer, Norar's husband in accepting the rights of women that is evident. The societal perception of men surrounds the concept that a woman cannot make significant progress without the involvement of men. As such, the man has to assert control in the operations of a woman and sacrifice is at the core of personal maturity at the social setting. Nonetheless, Nora exudes significant internal conflicts (Hill, 2010, 4). Accordingly, making the necessary sacrifices for her is evident to ensure a fulfilling life proceeds. The assertion that we have never sat down together to get anything done" portrays a clear picture on the non-existent conversation between men and women (Ghafourinia & Amili, 2014, 425). The assertion that is outright in the monologue portrays that the treatment of women is negative. As such, women are described as second-hand creatures and the undisputed evident rights are considerably ignored. Accordingly, the serious discussion about the role of men and women coupled with the rights of women circumvents elements of modern drama in such a divisive patriarchal society.
Due to numerous reasons, Nora opts not to stay in the Doll House any longer. The need to continue with her emotional heartache and sacrifices are too much for the main character. Accordingly, the unwillingness to submit to her husband and face the consequences is an ongoing element in the quest for self-empowerment (Ghafourinia & Amili, 2014, 425). Consequently, the change in personal behavior through deciding to stop her submissive role in the society comprises of an unthinkable action for the middle-class woman during her time. As well, the notion that few women had taken such a drastic action during her time is an element of social drama that is relevant and influential to date.
Across the present environment, the social drama by Henrik reflects the ongoing quest of appreciation of the role women play within the social dimension. Appreciating their rights is at the core of the drama (Isben, 2009, 1). Of significance is the ongoing feminist movement that has been fueled by such works of art that present the need for continued appreciation of women within the social dimension. Accordingly, the evaluation of the gender politics, sexuality and power relations are some of the issues that the drama exudes relevance to the present environment. Consequently, the increasing problems of equal pay, discrimination and reproductive rights as issues within the 21st century can be related to the period of the drama.
The ongoing theme of the rights of women portrayed in the play is of significance to the empowerment trend that is critical towards the appreciation of women. Throughout the drama, the ongoing need to appreciate the positive impact of women should be integral for men and the development process (Ghafourinia & Amili, 2014, 425). The drama should be the starting point to generate insight into the feminist movement. Inclusive of the fight for the rights of women is the grassroots that shape the quest for womenr's role within the society. In a culturally specific society, addressing the underlying gender issues should be at the core of personal movement process. The detailed projection of the ongoing female oppression couple with the additional increase in drama is self-moving for women in their cry for a change in the society. As such the experience of the women across society is an illustration of the conventional society that is prevalent in the contemporary setting. The need to seek freedom and continued self-empowerment is an issue of concern that is highlighted by the play that resonates to date.
Conclusion
Doll House presents a unique insight into the plight of women. Within a society that is based on patriarchal views, women such as Nora have to resort to distinctive approaches to assert their position. The right of a woman to establish her position is evident and necessary for personal development. As well, the move by the main character to disregard her family and create independence is apparent. Accordingly, through her movement within the play, the prospect of empowering women in a masculine society resonates to date. Consequently, the outcome of the play is an enabling aspect for women that can be adapted to date.
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How Corrupt a Society Can Become
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A Dolls House Novel Summary
Married couple, Nora and Torvald Helmer seem to live a happy life. Although Torvald is demeaning in the way he talks to Nora, she seems unbothered by it and carries on her life as a house wife. The couple is overjoyed when Torvald, a banker, receives a promotion to manager. While celebrating, Nora’s old friend Christine Linde arrives, a widow in need of a job. While discussing with Christine, Nora confesses her secret debt. Although Nora does not divulge where the money came from, she does tell Christine the reason why she needed it. Torvald’s new job provides Nora a sense of security because now money will not be a major concern for the family.
Krogstad arrives at the Helmer’s house to talk to Torvald. He works at the same bank as Torvald, but it seems as though Nora knows him as well. Christine also knew Krogstad in the past. Dr. Rank, a family friend dying of tuberculosis, expresses his own concerns about Krogstad and the peculiarity of the man. After Torvald and Krogstad have their meeting, Nora asks Torvald to consider giving Christine a job at the bank, he agrees.
Nora’s children then enter the scene. Having been with their caretaker all day, the children want to play games with Nora. After playtime, Krogstad returns to talk with Nora, fearful that he may lose his job. Here, the reader discovers that Nora’s benefactor was Krogstad as well as the fact that Nora forged her late father’s signature on the loan. Nora’s dishonesty begins to bother her and worries she will negatively affect her children. Nora’s fear leads her to consider leaving her children; she even asks a family maid to take care of her children if need be.
Nora begins to prepare for a tarantella that she and Torvald will be attending. Dr. Rank arrives and Nora flirts with him in hopes of getting money from him in order to pay back the loan.
Her plan is foiled when he confesses his love for her, because Nora cannot take money from a man knowing he loves her. Krogstad returns again, angry about being fired, and begins to blackmail Nora. Krogstad wants Torvald’s job and knows he can get it by exposing Nora, so he puts a letter explaining Nora’s debt and how she got it in Torvald’s mailbox. Nora begins to worry and turns to Christine for help. The women decide to try to distract Torvald and Christine will try to convince Krogstad to take back his letter.
While Nora and Torvald are at the tarantella Christine and Krogstad meet to talk about the letter. Here, the reader is made aware that Christine and Krogstad had a previous romantic relationship and plan to rekindle it. Krogstad plans on revoking the letter and not allowing Torvald to read it but Christine thinks it is best for Torvald to know the truth. Shortly after Torvald and Nora return from the party, Dr. Rank interrupts Torvald flirting with Nora to say goodnight. Then Torvald moves over to the mailbox and sees that Dr. Rank had left a letter with a black cross on it, stating that he will die soon. Torvald also sees a letter from Krogstad that Nora tells him to read right away.
Torvald is extremely upset after reading the letter and is disgusted with Nora. Nora is struggling and plans on killing herself because she cannot handle the pain and anger. Torvald is so upset and disgusted with Nora that, going forward, he wants nothing more than a brother and sister relationship between them and wants her kept away from their children. Then, Torvald is delivered another letter in which Nora’s bank contract is returned. Torvald is elated and tries to make Nora forget the harsh things he said to her; he wants to live together happily, as husband and wife. Nora is hurt and upset and wants to have a deep conversation with Torvald.
Nora expresses how she feels and that Torvald treats her as a doll. Torvald is not very accepting of this conversation which leads Nora to decide to leave her house and family. She gathers her things, leaves her children, and walks out of her house, slamming the door behind her.
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A Dolls House Novel Summary. (2019, Jun 14).
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Role of Women in the Doll’s House
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Role Of Women In The Doll's House. (2019, Jun 14).
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Role of Society in Doll’s House
Thesis statement
Society is so stratified that it has marginalized women and confined them in roles that denies them their identity and agency and given men autonomy over women.
Abstract
This paper attempts to throw light on the structure of society in the form of marriage and its expectations of it, using Henrik Ibsenr's A Doll's House. The role of women and their rights, the position of women in male domineering society and the struggle to be independent and to find oner's self. Ill also talk about how the society strips women of their identity and confers to them a new one which they must leave up to. The sharply defined gender roles that entangles both men and women. Ibsenr's emphasis and examination of stereotypical roles of men and women in the nineteenth century and how much things have changed if they have.
The play "A Doll's House" is a three-act play written by Henrik Ibsen in 1879 in Norway, Europe. The play is important for its critical perspectives toward nineteenth century marriage norms. In "A Doll's House", Ibsen paints a bleak picture of the sacrificial roles held by women of all classes in his society. He is known as the father of the new genre in drama realism. Ibsen really portrayed what life is it like especially for women living in a patriarchal society.
Its standard classification of gender roles and expectations it holds for a woman as a wife and a mother and as well as that of a man as a husband. The play lights up many flaws in the society in its structure and the expectation it has for individuals in relationships. There are many central themes in the play for discussion some of which are relevant to discuss in this paper are marriage, identity, infantilism, gender, rebellion etc.
Torvald and Nora are a couple with three children and their family fits the structure of a perfect middle-class family in their time. But this family picture of theirs became shattered when Krogstad in a letter revealed Norar's secret to her husband who reacts to it in a way that awakened the other side of Nora that has never been nurtured. She realizes the life of illusion and decides to leave her husband and children to go and construct her identity. Nora forged a signature to borrow money from Krogstad to save her husbandr's life. When Krogstad found out he was going to lose his job to Mrs. Linde, a friend of Norar's, he used the bond to blackmail Nora to persuade Torvald to let him keep his job in the bank. In a sweet not too sweet ending, Helmerr's relationship was broken but Krogstad and Mrs. Linde on the other hand rekindled a romantic relationship they had had in the past.
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Is the Crucible Still Relevant
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Is The Crucible Still Relevant. (2019, Jun 14).
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American History and the Crucible by Arthur Miller
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American History And The Crucible By Arthur Miller. (2019, Jun 14).
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The Theme of Discrimination in the Crucible
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The Theme Of Discrimination In The Crucible. (2019, Jun 14).
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The Topic of Worry in the Crucible
Worry for notoriety is a topic that poses a potential threat over a large portion of the occasions in The Crucible. In spite of the fact that activities are regularly propelled by dread and wants for power and retribution, they are likewise propped up by fundamental stresses over how lost notoriety will contrarily influence characters' lives. John's anxiety for his notoriety is solid all through the play, and his dithering to uncover Abigail's actual nature is his very own result fears of being named a miscreant.
Once there have been sufficient feelings, the notorieties of the judges additionally progressed toward becoming elements. They are to a great degree one-sided towards trusting they have settled on the right condemning choices in court so far, so they are hesitant to acknowledge new proof that may refute them. The significance set on notoriety sustains panic since it prompts inaction, firmness, and, as a rule, dynamic harm of the notorieties of others for narrow minded purposes. The general message is that when a man's activities are driven by wants to safeguard good popular assessment as opposed to do the ethically right thing, there can be amazingly desperate outcomes.
Act 1
Reverend Parris' worries about his notoriety are quickly clear in Act 1. Parris at first demands that there are "no unnatural causes" for Betty's disease since he fears that he will lose support with the townspeople if black magic is found under his rooftop. He questions Abigail forcefully on the grounds that he's stressed his foes will take in the full story of what occurred in the forested areas first and use it to ruin him. Parris rushes to position himself in favor of the informers when Abigail throws the primary jab, and he quickly undermines savagery on Tituba on the off chance that she doesn't admit (pg. 42). He seems to have no administering arrangement of profound quality. His solitary objective is to get on the great side of the network in general, even amidst this episode of aggregate panic.
Abigail additionally demonstrates worry for her notoriety. She is rankled when Parris questions her suspicious rejection from the Proctor family. Abigail demands that she didn't do anything to merit it and attempts to put all the fault on Elizabeth Proctor. She says, "My name is great in the town! I won't have it said my name is dirty! Goody Proctor is a tattling liar!" (pg. 12) The principal demonstration of The Crucible obviously sets up the way that a terrible notoriety can harm a man's situation in this general public seriously and hopelessly.
Act 2
In this demonstration, we take in more insights concerning the blamed that paint a clearer picture for the impact of notoriety and social remaining on the examples of allegations. Goody Good, an old hobo lady, is one of the first to be named a witch. It's simple for increasingly good nationals to acknowledge that she's allied with the Devil since she is an "other" in Salem, much the same as Tituba. At the point when Abigail blames Elizabeth, a regarded agriculturist's significant other, it demonstrates that she will go out on a limb to expel Elizabeth from the image. She's not a customarily acknowledged target like the others (aside from in her helplessness as a lady to the misogyny that runs uncontrolled in the play).
In Act 2, the estimation of notoriety in Salem begins to butt heads with the intensity of madness and dread to influence individuals' sentiments (and retribution to manage their activities). Rebecca Nurse, a lady whose character was recently thought to be blameless, is denounced and captured. This is taken as proof that things are truly gaining out of power ("in the event that Rebecca Nurse be corrupted, nothing's left to prevent the entire green world from consuming." Hale pg. 67). Individuals in power keep on trusting the informers out of dread for their very own security, taking the panic to a point where nobody is above judgment.
Toward the end this demonstration, John Proctor conveys a short monolog envisioning the up and coming loss of the masks of respectability worn independent from anyone else and different individuals from the Salem people group. The appearances that individuals present to people in general are intended to collect regard in the network, yet the witch preliminaries have tossed this framework into chaos. Delegate's great notoriety is right around a weight for him now since he realizes that he doesn't merit it. As it were, John respects the loss of his notoriety since he feels so remorseful about the distinction between how he is seen by others and the wrongdoings he has submitted.
Act 3
John Proctor undermines his own notoriety in Act 3 in the wake of understanding it's the main way he can ruin Abigail. This is a choice with desperate outcomes in a town where notoriety is so critical, a reality that adds to the misconception that pursues. Elizabeth doesn't understand that John will forfeit his notoriety to spare her life. She keeps on acting under the supposition that his notoriety is absolutely critical to him, and she doesn't uncover the undertaking. This lie basically censures them two.
Danforth additionally carries on of worry for his notorieties here. He references the many condemning choices he has effectively made in the preliminaries of the charged. On the off chance that Danforth acknowledges Mary's declaration, it would imply that he wrongly sentenced various individuals as of now. This reality could annihilate his validity, so he is one-sided towards proceeding to trust Abigail. Danforth has broad pride in his insight and perceptiveness. This makes him especially loath to tolerating that he's been tricked by a young lady.
Act 4
Despite the fact that insanity overwhelmed the notorieties of the blamed in the previous two acts, in act 4 the staying intensity of their unique notorieties ends up obvious. John and Rebecca's strong notorieties lead to pushback against their executions despite the fact that individuals were excessively frightened, making it impossible to go to bat for them amidst the preliminaries. Parris asks Danforth to delay their hangings since he fears for his life if the executions continue as arranged. He says, "I would to God it were not in this way, Excellency, but rather these individuals have extraordinary weight yet in the town" (pg. 118).
In any case, this keeps running up against Danforth's craving to protect his notoriety for being a solid judge. He trusts that "Delay currently talks a flopping on my part; relief or exonerate must give occasion to feel qualms about uncertainty the blame of them that kicked the bucket till now. While I speak God's law, I won't split its voice with fussing" (pg. 119). Danforth's picture is to a great degree significant to him, and he declines to enable Parris' worries to upset his faith in the legitimacy of his choices.
In the last occasions of Act 4, John Proctor has an extreme decision to make between losing his poise and losing his life. The value he needs to pay in notoriety to spare his own life is eventually too high. He kicks the bucket as opposed to giving a false admission since he doesn't figure life will be worth living after he is so disfavored. As he says, "How may I live without my name? I have given you my spirit; abandon me my name!" (pg. 133)
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About Abigailr’s Behavior in the Crucible
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About Abigailr's Behavior In The Crucible. (2019, Jun 14).
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Emerging Themes of the Kite Runner
The Kite Runner: Emerging Themes
New beginnings often seem like the out of things but the remorse and regret from the past will nag at the need for redemption. In The Kite Runner, by Khaled Hosseini the need for redemption and acceptance becomes more apparent than ever from Amir. Although they have just moved into a new country Amir still has troubles with his conscious. The past may seem like it will vanish over time but it will come back to haunt and redemption will be searched upon sooner than later. The moral values that Amir was taught alongside Hassan as a child become more handy than ever. The morals taught to a child will live on in them as long as they live.
The importance of the morals taught through your guardian is so valuable it allows to create a strong or weak foundation in a child's life and this takes an important role especially in Amir and Babar's relationship. As a children Amir and Hassan grew up together they shared the same morals, they were taught wrong and right the same way they both knew what Baba expected and what he considered wrong from right. Throughout time Amir goes against those morals that Baba had placed in for him. Baba believes in one single sin over the rest that is that ?there is no act more wretched than stealing(18), and Amir had gone against this, he had robbed Hassan of his dignity allowing him to get rapped not only stealing his dignity but to some level his innocence as well. He intended to rob him of the bond and respect that Hassan carried with Baba, with setting him up to look like a thief in front of Baba. All these intents in vain to get Baba to prefer him over Hassan. All along he thought that it was all under the rug that no one would ever know and that Hassan would keep quiet all that time. But he was wrong because all those years [Baba] knew about assef.the kite.the money.the watch...he had always known(192).
A parent knows their child as well as the palm of their hand and Baba better than anyone knew hassan. A need for redemption is inside of Amir, he longs for that feeling of acceptance and through his eyes the only person that can give him that acceptance is his father Baba. Amir knew that Baba knew about all of his horrible actions. Amir feels regret for all the things he did and allowed to be done to Hassan. Amir betrays Hassan several times throughout the book, he allows him to get raped, he sets him up to look like a thief. With the only purpose to receive acknowledgement and praise from Baba his father. But all along his father,knew about Assef, the kite, the money, the watch with the lightning bolt hands. He had always known(192).
Not only does this affect Amir but he also has the remorse that he affected the life of his father with the death of his mother during labor. Throughout the book we see the need of redemption and that winter of 1975 [he] felt at peace(303) he found it quite humorous all those years he had been looking for such redemption and it had basically was always been in front of him. The need for forgiveness and redemption is something most humans value. As well as the sturdy moral foundation that is set down by ones guardian as well.
The Kite Runner gives us an insight towards acceptance and redemption from the character Amir and the characters Baba and Hassan whom are affected by Amir's actions and decisions when he decides to go against his father's morals . All he wants is that acceptance and the way he gets their is questionable at times. In the end the path one chooses will determine the outcome received.
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Sacrifice in the Kite Runner Novel
Bringing attention back to the main point, I believe that sacrifices and sacrificial lambs are a motif of The Kite Runner because certain characters make sacrifices that have major effects on the plot later in the novel. Firstoff, in the fifth chapter, Hassan and Amir have their first run in with Assef, the main antagonist. Assef, who is armed with brass knuckles, is obviously about to hit one or both of them. Amir narrates, I looked in his crazy eyes and saw that he meant it. He really meant to hurt me. Assef raised his fist and came for me. (41) Here is where the ever loyal servant Hassan comes to his rescue and draws his slingshot with a ... rock the size of a walnut. Hassan held the slingshot pointed directly at Assefr's face Please leave us alone Agha. he said. (42)
The reason this is a sacrifice and not just an act of heroism is because Hassan is putting himself in danger to protect Amir. He is provoking Assef instead of letting him lay into Amir, which would be easier and safer for Hassan. Another instance where a sacrifice was made for Amir by Hassan was when he fessed up to stealing Amirr's things even though Amir had set him up in an attempt to get rid of him. Baba came right out and asked, Did you steal that money? Did you steal Amirr's watch Hassan? Hassanr's reply was a single word, delivered in a thin, raspy voice: Yes. (105) This may not seem like a sacrifice in favor of Amir, but in reality, it saved Amirr's reputation with his family. If his father learned of his cowardice in the alley, he would have disowned him. Hassanr's final sacrifice was a literal one. After learning that he and his family were to be removed from their house by the Talibs, he refused to take his family out of the home. Rahim Khan says that Hassan protested, so they took him to the street, ordered him to kneel, and shot him in the back of the head. (219) All of this was done in an effort to preserve his family and keep their home, therefore a sacrifice for the family.
As you can tell, many of the notable sacrifices in the book were made by characters other than Amir; however, on the topic of redemption, I believe that Amir did redeem himself in spite of his lack of obvious sacrifices. I believe that sacrifice is tied in very closely with redemption and one may ask themselves, How can he redeem himself without sacrifices? but when you think more deeply about it, Amir did make sacrifices. Amir took the chance to go back to afghanistan from a late Rahim Khan and took this opportunity to take in Hassanr's child, indirectly the cause of his guilt. He even sacrificed his health in order to stand up for Sohrab in the fight scene on 212.
Some may argue that sacrifice isnt a major theme in the novel because of the lack of sacrifices made by the main character; however, I would argue that that is one of the most important reasons that sacrifice is a motif in the novel. The lack of sacrifice on Amirr's part shows how privileged he is as compared to Hassan who had to make sacrifices for Amir. Another argument one may pose is that Amirr's lack of sacrifice makes him a bad person in general but I would argue that Amir is certainly good in spite of his lack of sacrifices. Amir wasnt necessarily a good friend to Hassan but at the end of the book he became exactly like him and Baba, the two main good characters.
I feel as though the evidence provided from The Kite Runner is sufficient enough so that we can come to the conclusion that sacrifice is a motif of the novel. A main reason we can believe this is because Hassan made countless sacrifices for his superior, but most importantly, his friend while he received none of the same back. Also, there are many instances in the novel where lambs specifically are compared to characters or decisions made by characters. I find that this is most relevant because understanding that sacrifice is a major part of the novel can make you look at things with a whole new perspective. This perspective helps point out how privileged Amir was to have such a great friend and how he ended up redeeming himself from his past in the end.
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Relationships between Amir, his Father and Hassan in the Kite Runner
A relationship with your father is really important in your life as well as a relationship with a close friend. In the story, The Kite Runner by Khaled Hosseini, Amir had maintained and developed these kinds of relationships throughout the story. Amir and Baba had always had a rough relationship while Baba had an ideal idea for his son, which Amir could not reach, resulting in them not being close like a normal father-son. Amir and Hassan had many different ideas on their relationship. Amir thought of it as a friend or as a servant relationship. Amir was too prideful of his idea of Hassan being his servent that it has caused some problems, which caused the relationship to take a turn for the worse. Hassan and Sohrab had a valuable father-son relationship, which unfortunately had to end when Hassan got killed and Sohrab losing his father figure. When Amir comes into Sohrabr's life, he turns into the new father figure of Sohrab by taking on both characteristics of Baba and Hassan. Throughout the story of The Kite Runner by Khaled Hosseini, Amir has developed different kinds of relationships with Baba and Hassan which helped him develop a better relationship with Sohrab.
Relationship Between Amir and His Father (Baba)
Baba and Amir never had the best father-son relationship due to many problems in which Amir not feeling the full love his father was supposed to give him which cause Amir to try to find ways to make satisfy his father no matter what. Amir would do anything to get Babar's love which could bring Amir to do some regretful things. Baba would want the best for Amir but, that is part of the problem when he said, By Baba saying this, it seems like Baba wants Amir to be like him. One big thing is that Baba does not understand is that Amir is in need of his fatherr's love and that he needs his approval. This brings their relationship farther away due to Baba always being disappointed in Amir if he does not do anything the way Baba want to which causes Baba to be cold towards his son. Baba does show some concern for Amir but Baba does not really care for him like a son nor does he really would believe if that was his son if he did not see the Even though Baba is smart, he just does not know that Amir may not be like him, and also that he does not see that Amir does try his hardest to find a way into Babar's heart especially during the Kite Runner match. The results of Babar's actions, he made Amir believed that winning a match would be the blue kite was the (Hosseini 71) would be better than what he did to Hassan. Amirr's thirst to win Babar's heard could be the reason why Amir did not stop Hassan from getting raped, which ruined Amirr's and Hassan friendship.
Relationship Between Amir and Hassan
Amir and Hassan had a relationship that would be like best friends, but due to Amirr's pride, the one-sided relationship caused Amir to make mistakes that suddenly changed his relationship with Hassan. There were many times where Amir would have just thought he was a friend and then there were times where he just thought of him as a servant. Hassan does not think that though. He treats Amir like a best friend and a loyal one as well. Many times throughout the story Hassan yells This shows that Hassan would not hesitate to do things for Amir. Hassan is so loyal to Amir, which is shown many times in the story. The time when Hassan was running for the blue kite is one example. Hassan risked his life, running out of his masterr's control, just to grab the kite for him. Unfortunately, it did not turn out well as Hassan did get raped. Amir could have helped Hassan and said their relationship but he had other plans as he thought He allowed Assef to rape Hassan just because he thought that Hassan was someone different than him. Hassan put himself above Amir when he refused to hand over the blue kite to Assef but Amir could have not done that for Amir. Hassan takes their relationship seriously but Amir just takes it for granted. Amir will soon learn that he will greatly regret that choice in the future, which he would need to make up for.
Relationship Between Amir and Sohrab
The relationship between Amir and Sohrab could be important due Sohrabr's lost of his father figure in his life as well as Amir is redeeming himself from what he had done to Hassan in the past. The father-son relationship is a big theme in the story as it portrays the different relationship conflicts there were during the story. The moment Amir heard that Sohrab, Hassanr's son, was stuck in an orphanage, he was very hesitant to help him but now he knows that Sohrab needs him there whether he says it or not. Without Hassan, Amir had to take on the role of the father figure for Sohrab. During the time where Amir was trying to adopt Sohrab, he made mistakes, just like Baba. He tries to get Sohrab to understand that he had to put him in the orphanage for a little while but when Sohrab responds with he made a mistake. He knows that Sohrab hates the orphanage due to all of his memories that had happened there. When Amir makes the mistake, it is similar to how Baba made mistakes but not able to return them as well as how he was not considerate of Sohrabr's feelings. In the end, Amir tries to redeem himself. As he also takes on Hassanr's styling of parenting, which is showing love to him for just being himself . Amir had the chance to teach Sohrab kite running, which relates back to Amir and Hassanr's relationship and how Hassan would always teach his old memories to his son. Amirr's attempts to become a good father did not go to waste when, . He was making progress on his father-son relationship between him and Sohrab. By having a relationship with Sohrab and taking care of him, Amir had redeemed himself from ruining his relationship with Hassan earlier.
Conclusion
The relationships between Amir and his father and Hassan had been able to shape the relationship he was able to have with Sohrab. He was shown to use both characteristics from Baba and Hassan. With the way Baba raised him, he was finally able to go and take a risk and save Sohrab but, he was inconsiderate of Sohrabr's feeling at the time. On the opposite end of the spectrum, he was able to use Hassanr's characteristics to teach Sohrab kite running and it could relive some memories with Hassan. These relationships were shown throughout The Kite Runner and each one of the relationships had help Amir develop into a better father figure for Sohrab.
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The Kite Runner: an Afghanistan Story
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A Theme of Racism in the Kite Runner
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The Kite Runner: Afghan-American Heritage
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Khaled Hosseini’s Special Techniques in the Kite Runner
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Should Americans Use the Electoral College?
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Should Americans Use The Electoral College?. (2019, Jun 14).
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An Example of Renaissance
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The Ewer: an Example of Renaissance
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Domenico Del Barbiere: High Renaissance Sculpture
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Art of the Renaissance Era
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The Egocentric Renaissance Movement
The Renaissance was a time of innovation and renewal, which brought brand new ideas and inventions across Europe. The Renaissance shifted humanity's worldview toward egocentricity and human-centeredness as opposed to the more apostolic lives they had lead previously. However, such a great shift can only take place slowly over a long period of time. Hence, the time frame of the Renaissance lasting from around the 1300s to about the 1600s in the continent of Europe.
As stated above, religion, although still preeminent today, was additionally prominent before the Renaissance. Art strayed off from the religious-centered themes they had before beginning with paintings of religious scenes on a neo-classical background. The artists began to paint wealthy civilians or famous people of the time instead of Biblical images, such as the Mona Lisa; the wife of a wealthy Florentine merchant (Doc A). Making it clear that it wasn't just wealthy priests who added to the artistic flowering of the Renaissance by paying for extravagant religious murals on church walls but wealthy patrons as well. This artistic flowering helped transition art to reflect the ideas of humanism.
At the start of the Renaissance and before the popularization of humanism, the Catholic Church would often exploit their authority by competing against Italian princes for more political power, fighting in wars against secular rulers to protect Papal states and, even plot against any monarch who tried to gain control of the church within the Churchr's lands. Along with that, all priests had luxurious lives and would increase fees for services such as marriages and baptisms and sell indulgences, a reduction of the temporary punishment in purgatory still due for one's sins, to maintain them. Their abuses angered the civilians, and with the Renaissance just kicking into gear John Wycliffe, although an English priest, organized an attack against the Church using his sermons and writings to call for change in Church authority.
This was the first of many revolts against the church and one of the many components of the change from societyr's church-centered views into more of an egocentric view, while the ideas of humanism were still slowly being introduced. Humanism refers to the belief that humanity was of a higher importance than that of spiritual or religious affairs. One great example is when in the play Hamlet, written by William Shakespeare in 1601, he declares that men were in apprehension . like a god putting man at the same level as a god while he continues to explain how astonishing mankind is (Doc B). The ideals of Humanism began to appear all across Europe in the forms of literature and art such as Raphaelr's School of Athens, a painting depicting great thinkers of the past. However, Raphael included himself and other thinkers of his time into the painting, revealing how highly they viewed themselves as to put themselves among the legendary greats. As time went on art became more detailed and showed more emotion to adapt to the views of humanism and reflect the greatness of humanity with exact precision (Doc A). They would paint a famous figure from society to show the interest in individual achievement due to humanism. Although not considered art there was another drawing made in the 1500s with minimal detail but meaning. This drawing is Nicolaus Copernicus Heliocentric diagram of the universe, for unlike Ptolemyr's previous Geocentric diagram, Copernicus added no place for God and Heaven into his drawing.
Next, to the major developments in art, there were also many other achievements during the Renaissance especially in the field of science and education due to the effects of humanism. In the Middle Ages, more than 85% of the population were serfs, peasant farmers who worked for a lord and his estate. The majority of which were illiterate, but when the 1300r's rolled around they improved their farming techniques and became more self-sufficient, freeing themselves from their lords and taking up trades. This caused more worldwide education and with that people began to question the church and founded humanism. Humanism then gained more momentum with the invention of the printing press in the mid-1400r's. With all that being said I believed it is clear that it was due to the improvement in education that everyoner's views shifted in newer directions other than the religious focused lives they were forced to live before.
This change of humanity's worldview from religion center to egocentric and human-centered shaped the Renaissance. It brought Europe out of the dark ages and into a new light. It caused the creation of humanism, a shift from the church being of main importance in life, and many advancements which are still used today. Without the Renaissance to change mankind's view of the world, we wouldn't be living in the same world today.
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The Egocentric Renaissance Movement. (2019, Jun 14).
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Architecture of Renaissance Period
Location, Continent, Country/City
Renaissance architecture originated in Florence Italy in the 15th century but once the style appeared in other Italian towns, it began to make appearances in France, Russia, England, and other parts of Europe. Although it moved to other countries, the influence was less significant than in Italy.
Time Period and Related Artistic Styles
The new style of architecture is known as the style that replaced medieval Gothic. Renaissance architects used the basic design element, order, and found a relationship between human proportions and buildings and this was a nod towards both Greek and Roman architecture. Using these proportions, the buildings became comprehensible spaces which is a distinguishing feature from the once known Gothic style.
Environment
Before the Renaissance Era, it was the Medieval Times. During the Dark Ages, famine broke out, war, and diseases. The Black Plague had spread throughout Europe killing about 60% of the continentr's population, but because of the disease, Italy made changes in their trades and businesses and sold leather goods, cheese, and wines. The working class became wealthy due to the trade and the Italian cities became widely popular. It was the men like Leonardo Da Vinci, Leon Battista Alberti, Cola da Caprarola, Donato Bramante, and Filippo Brunelleschi that came to the ideas of proportions, order, and balance of the existing world and incorporated it into the structural, architectural world.
Culture
As mentioned, it was various men who impacted and supported the new Renaissance Era. There were issues with the economy, the current architectural buildings (Gothic), and they believed there were better ways. Renaissance means rebirth and was created because of the corruption of the Catholic Church. The old ideas of the Greek and Roman provided the people with the answers that they believed the church could not and it was considered to be the reawakening of these ideas. Renaissance reconception of architecture was the return to the classical language, which had a vocabulary of elements based on orders, and a set of rules, and within the new Renaissance way of design thinking, the mind of the designer was equally apparent, so much so that his personality could, and even should, show through in his finished work (2).
Politics
Leon Battista Albertir's design of the church of S. Francesco, located in Rimini, was built in 1450. The church was a centrally planned and was inspired by ancient architectural philosophies, Greek and Roman. Alberti wrapped a previous building with a new wall to reconstruct a classical building utilizing arches, and a triumphal arch much like Roman Architecture. The architects, McKim, Mead, and White drew inspiration from Albertir's classical style when building the Boston Public Library, in the nineteenth century. The Boston Public Library was planned around a central courtyard, similar to S. Francesco and the exterior of McKim, Mead, and White also drew heavily upon the Albertir's idea heavily implementing the use of arches and vaults. The Renaissance style has been used in large cities such as San Francisco, New York, and has influenced various government buildings in Washington DC. Renaissance style and techniques used in these historic buildings can be seen in modern day buildings.
Section II
Architecture and Design
Provide Three Characteristics
Renaissance architecture is mainly derived from both Greek and Roman architecture. Humanism is the idea that you feel like you can aspire to do anything by learning and having a good education and this was very important to all three styles. Another big part of all three styles is the interaction between Man and structures. While Greek and Roman styles had the biggest influence on the Renaissance, Gothic architecture also played a role. Renaissance designers (much like Leon Battista Alberti) wanted to move away from the previous style, however, Gothic architecture also used man-like techniques to measure out space and materials; it is where the expressions a thumbnail, at arms length, and a foot derived from. Difference is, that Gothic architecture used someone different each time and there was no exact measurement for these sayings, but the Renaissance style took those sayings and made them into something specific.
Specifically, Renaissance uses the arches, humanism, and corinthian columns that was used in both Greek and Roman architecture; there was no Renaissance building that is a copy of an ancient precedent, no painting or sculpture that looks like Roman or Greek. Details might be imitated, concepts rediscovered, but the Renaissance always generated new synthesis from the knowledge that came from study of ancient classism (1).
Provide at Least Three Descriptors
S. Maria della consolazione interior has a centralized square plan, with three polygonal apses and one semi circular. Each are capped by semi circles and the central square becomes a cube capped by a large interior dome. The church and the convent was built by Guiniforte Solari but was modified by Bramante in the late 15th century. Bramante enlarged the church by adding a large semi-circle apse, a cloistered a refectory, and a drum shaped come that is surrounded by columns.
Furniture from Palazzo Davanti (bedroom) has been fully preserved and well taken care of. Most renaissance furniture is made of wood (oak, walnut, or cypress). Canopy beds were used for both warming reason and privacy, but these beds along with chairs, were not considered comfortable. In the renaissance convenience was more important than practical. Davanzati bedroom is elaborate. The ceiling has exposed wood which is covered in a decorative pattern and the floor is tiles. The walls are covered in frescor's and the overall feeling of the room is warmth. Furniture if minimal but there are the essentials, bed, dresser, baby cradle, table, and chairs. The baby cradle is also made out of wood and could be moved throughout the room (either close of further away from the fireplace or master bed). The last pieces in the bedroom are two chars, a table and a dresser. Over the dresser is some painting of a significant religious characters and it was common that bedrooms had fireplaces in the corner for the cold winter months. The table and chairs were used as a way to display and work on writing pieces and reading. During the Renaissance one could not brag about their wealth, therefore they would leave their studies out on tables as a way to demonstrate their intellect.
Medicine and astronomy were common in households. Astronomy was used for telling time and the wealthier an individual was, the more access they had to these instruments. The armillary could be used to cast the horoscope at the birth of a child and astrology provides the link between health and the heavens, and not only through the predictive power of the horoscope / A physician was trained in consulting the heavens for predicting the course of disease and determining the most propitious time for therapeutic intervention (3) As mentioned, in furniture, wood was commonly used. However, these instruments were typically made of brass, gilt brass, and more rarely, silver.
Provide Three Characteristics
Renaissance design has influenced many pieces of architecture and interior designs since it became a style. French architect, designer, and inventor Philippe Starck is derived from Renaissance style. He focuses on how the essentials are important, the relationship between Man vs. nature, and he claims that everything should be organized to the needs of human bodys. As well as influencing specific designers as previously mentioned, the style has influenced the Boston Public Library, churches and cathedrals in large cities, Government buildings in Washington DC, and residential homes are sometimes decorated in the Renaissance style.
Materials
Furniture was commonly made out of wood. Chairs, beds, and chest would have wood carvings depicting a religious scene, and hints at its reflection on both Greek and Roman architecture. An example of a piece of furniture that is made of wood and has gilding is a
Lacquered and gilded games table, with detachable top of lobed oval outline, painted with birds and flowers, with shaped frieze containing two drawers on bold cabriole legs painted and mounted (4). Along with furniture, Rosary beads were also made out of wood and gilded gold. Brass was used for the more expensive decorative arts.
Motifs
In the S. Maria della consolazione church interior on the north wall is The Last Supper painted by Leonardo da Vinci. The conversation that is depicted in Da Vinci's photo is the moment right after Christ said "One of you will betray me". Each of the 12 Apostles in the painting are depicted with different movements and expressions and therefore his painting is known as one of the masterpieces of the world and has had a great deal of influence over the figurative art style. The furniture from Palazzo Davanti bedroom does have carvings in the wood
Construction Techniques
Wood was a generally easy medium to work with and was the most common material used in Renaissance furniture. In the construction of cassones, chairs, tables, beds, corner cupboards, and game table, these walnut, cypress, and oak pieces were shaped, carved, and built into fabulous pieces that then were ornamented with gild, gold, ivory, frieze, scrolls, and more.
One major item in minute detail
After getting guidance from Brunelleschi, painter Masaccio created a fresco painted called the Holy Trinity at S. Maria Novella in Florence. Brunelleschi found the way to take a three dimensional object and replicate it exactly on a two dimensional surface, convincing the illusion of space. The painting depicts God standing on a sarcophagus holding the crucified Christ while S. John and Mary are standing in front of two kneeling donors. The donors were not allowed to be in the recessed space where the biblical characters are depicted near the cross, they were purposefully painted to appear in the space of the viewer. One-point linear perspective is the technique that gives the sense that the painting receded back into space.
Renaissance art and architecture focus on proportions and symmetry, and the composition of this painting is in a pyramid shape, much like the panel of bronze doors competition Brunelleschi entered in for the Florence Baptistery.
Renaissance style is a reflection of Roman and Greek classical architecture. In the painting a coffered ceiling, barrel vaults, columns, and pilasters are depicted which were substantial in Roman architecture specifically. Using the one-point perspective technique in the coffered ceiling, creates the vanishing point which is located at the bottom of the cross. This is what causes the painting to look as though it is receding into the chapel.
Finally, at the bottom of the fresco is a skeleton in a tomb. Until recently, this part of the fresco was covered. The tomb was painted with the intentions to look as if it was three dimensional and coming at an outward projection. Above the tomb are words that have been translated to "What you are I once was; what I am, you will be". This is a portrayal of death and that it is destined for everyone. Above the crucifiction there is a message of hope, freedom from death for believers. The complex painting is an example of a biblical story, science, and art all in one.
Cite this page
Architecture Of Renaissance Period. (2019, Jun 14).
Retrieved November 5, 2025 , from
https://studydriver.com/2019/06/page/17/