Tom Joad in The Grapes of Wrath: Character Analysis

  • 1. State the title and author of the novel. Title – The Grapes Of Wrath Author -John Steinbeck
  • 2.

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    Where is the story set? Los Gatos, CA

  • 3. When is the story set- In October 1938 / Late 1930s
  • 4. Place it in its historical context. The novel, ” The Grapes of Wrath ” gave a voice to the a huge number of Americans influenced by the Dust Bowl disaster in Midwestern cultivating states
  • 5. Who is the narrator? An unknown, all-knowing, verifiably mindful cognizance that is profoundly thoughtful, not exclusively to the transients yet to specialists, poor people, and the seized by and large
  • 6. Who is the protagonist? Provide biographical details Tom Joad
  • 7. Who are the other main characters? Provide biographical details.

Tom Joad – The protagonist of this novel, and Ma and Pa Joad’s most loved child. Tom is genial and insightful and manages with what life hands him. Despite the fact that he killed a man and has been isolated from his family for a long time, he doesn’t squander his time with second thoughts. He lives completely for the present minute, which empowers him to be an incredible wellspring of imperativeness for the Joad family. A savvy direct and savage defender, Tom displays an ethical sureness all through the novel that pervades him with quality and resolves: he wins the awed regard of his relatives and also the specialists he later composes into associations. Pa Joad – Ma Joad’s significant other and Tom’s dad. Dad Joad is an Oklahoma sharecropper who has been expelled from his ranch. A frank, decent-hearted man, Pa guides the push to take the family to California. Once there, unfit to look for some kind of employment and progressively edgy, Pa ends up looking to Ma Joad for quality and initiative, however, he once in a while feels embarrassed about his weaker position.

Ma Joad – The mother of the Joad family. Mama is presented as a lady who intentionally and readily satisfies her job as “the bastion of the family.” She is the healer of the family’s ills and the referee of its contentions, and her capacity to play out these assignments develops as the novel advances. Rose Of Sharon – The most established of Ma and Pa Joad’s little girls, and Connie’s better half. An unfeasible, irritable, and sentimental young lady, Rose of Sharon starts the voyage to California pregnant with her first youngster. She and Connie have fabulous ideas of making a life for themselves in a city. The cruel substances of transient life before long clarify Rose of Sharon of these thoughts, notwithstanding. Her significant other surrenders her, and her youngster is conceived dead. Before the finish of the novel, she develops extensively, and has, the peruser learns with shock, something of her mom’s unstoppable soul and beauty. Grampa Joad – Tom Joad’s granddad. The author of the Joad cultivate, Grampa is currently old and weak.

When had of a merciless and rough temper, Grampa’s fiendishness is currently restricted only to his tongue. He savors the experience of tormenting his better half and stunning others with corrupt talk. In spite of the fact that his character serves to a great extent to create a humorous impact, he displays an undeniable and strong association with the land. The family is compelled to medicate him with the end goal to inspire him to leave the estate; expelled from his characteristic component, nonetheless, Grampa before long passes on. Granma Joad – Granma is a devout Christian, who cherishes throwing hellfire and condemnation her significant other’s way. Her wellbeing breaks down rapidly after Grandpa’s demise; she kicks the bucket soon after the family achieves California. Uncle John – Tom’s uncle, who, years back, declined to get a specialist for his pregnant spouse when she griped of stomach torments. He has never pardoned himself for her passing, and he regularly harps intensely on the carelessness he thinks about a wrongdoing.

Ruthie Joad – The second and more youthful Joad little girl. Ruthie has a red-hot relationship to her sibling Winfield: the two are strongly reliant upon each other and savagely aggressive. When she gloats to another tyke that her sibling has executed two men, she incidentally puts Tom’s life in risk, constraining him to escape. Winfield Joad – At the age of ten, Winfield is the most youthful of the Joad kids. Mama stresses for his prosperity, expecting that without an appropriate home he will grow up to be wild and rootless. What is the significance of the novels title? The least complex answer is that it signifies “outrage”; all the more particularly the developing resentment that in the long run prompts gore. Be that as it may, the articulation is equivocal on the grounds that it is a confusing expression; implying that it joins two terms that appear to repudiate one another. For this situation “grapes” which are a sweet and exceptionally attractive leafy foods meaning extraordinary outrage which we allegorically consider as “bitter.”As past respondents have clarified the articulation “Grapes of Wrath” originates from the Bible: Revelation 14:19“ 20 (New Testament) and Isaiah 63 (Old Testament).

The articulation was re-utilized in the verses of “The Battle Hymn of the Republic” composed amid the American Civil War. Give a brief summary of the plot. The account, which follows the relocation of an Oklahoma Dust Bowl family to California and their resulting hardships, is scattered with exposition ballad recesses that clarify the more extensive conditions of the world with which the heroes battle. The Grapes of Wrath compares the Joad family’s encounters as they move from Oklahoma to California with intercalary sections reporting the storyteller’s more extensive point of view of the story’s social setting. These sections demonstrate the sharecroppers’ weakness against the landowners, who support tractors over individuals; the wild abuse of transients as they make a beeline for the guarantee of copious open doors on uncorrupted land; the tirelessness of and confidence in humankind as the vagrants help those in need; and the advancement of Steinbeck’s phalanx hypothesis as people meet up to make a more composed entirety. The Joads’ preliminaries go about as a microcosmic portrayal of the treachery and wretchedness being experienced by a huge number of Americans amid this period. Tom Joad, recently discharged from jail in the wake of serving a sentence for homicide, advances home, and en route he is joined by Jim Casy, a previous minister.

Tom discovers that his family has been removed from the ranch and has moved in with Uncle John. At the point when the two men achieve Uncle John’s home, they discover the family, tempted by handbills publicizing ranch work employment, getting ready to drive to California. The Joads and Casy take off along Route 66, joining a departure of poor sharecroppers traveling west. They experience numerous deterrents on the adventure, and admonitions that the occupations they expect in California are fanciful. Grampa and Granma Joad kick the bucket along the course, and Tom’s senior sibling, Noah, chooses to relinquish the venture. What is the climax of the novel? A police killed Casy and Tom executes the policeman, making himself a bandit and submitting himself absolutely to the reason for laborers’ rights as opposed to the fortunes of his own family. What major themes does the author deal with?

The Regality of Rage The Environment and Use of Land

Through which events, characters or images does the author explore these themes? The Regality of Rage-The Joads remain as praiseworthy figures in their refusal to be broken by the conditions that contrive against them. Every step of the way, Steinbeck appears to be determined to demonstrating their pride and respect; he stresses the significance of keeping up dignity with the end goal to survive profoundly. No place is this more apparent than toward the finish of the novel.

The Joads have endured exceptional misfortunes: Noah, Connie, and Tom have left the family; Rose of Sharon brings forth a stillborn infant; the family has neither sustenance nor guarantee of work. However it is right now (Chapter 30) that the family figures out how to transcend hardship to play out a demonstration of phenomenal benevolence and liberality for the destitute man, demonstrating that the Joads have not lost their feeling of the estimation of human life. The Environment and Use of Land – The Author utilizes the land to ground his characters’ feeling of self. The land gives them a personality, a past and a future. When they lose their territory, that character begins to break up. Steinbeck delineates the land as having a spirit, and performing difficult work on that land gives a more profound comprehension of life. The agriculturists get knowledge from the land; it assists with their manners of thinking and basic leadership. The inhumanity of tractors and the unit of landowners disturb the agriculturists’ association with the land.

What imagery and/or symbolism does the author use? Cultivating – It’s about the existence of life, development, and development. In any case, with advances in innovation and science, we watch cultivating change from a human-raced to a machine-run workmanship. In this novel, we watch this change, and we perceive how cultivating moves toward becoming affected by logical progressions. In the novel, you can see the ranchers battle against this change. Ranchers perceive that the machines that start to assume control over their homesteads and that actually show them out of their homes are non-living things that can never comprehend the land. We witness the craft of cultivating caught in a war among old and new, among human and machine The West – But this novel convolutes that fantasy, appearing rather the hopelessness and distress that fills California’s ripe slopes. Our storyteller regularly portrays the setting sun, offering a particular depiction of the western sky. He says, “Just the lopsided sky demonstrated the methodology of daybreak, no skyline toward the west, and a line toward the east” (8.1) as if proposing that the West speaks to the obscure, an unfamiliar area.

The Road – But as the Joads travel westbound, Route 66 turns into “the mother street, the street of flight” (12.1) it’s the lifesaver, the thing that enables a huge number of families to seek after their deepest desires. It is likewise (depressingly enough) the street that prompts their wretchedness in California. It’s emblematically noteworthy that Route 66 never truly crosses with some other significant expressway or street it goes in two headings as it were. When you’re on Route 66, you can either go ahead looking for circumstance and conceivable hardship, or you can go in reverse and come back to the neediness and commonality you originated from. The Blood- The Grapes of Wrath is loaded with the red stuff. Think about the butchering of the pigs, the manner in which Tom cuts his hand settling the visiting auto (and after that uses his pee to make it quit dying ew), the Joad pooch that gets keep running over, the farmland that is being drained dry by dry season and by cotton, Rose of Sharon’s infant’s introduction to the world, and that’s just the beginning. We likewise realize that the “grapes of fury” in “The Battle Hymn of the Republic” alludes to foul play and spilled blood.

Blood signals both life and demise, so how about we focus on minutes in which it rises to the surface of this novel. Write a short review of the book stating why you would/would not recommend this book. The Grapes of Wrath is beyond the point of being gutturally human that it’s basically incomprehensible not to end up charmed in the biographies of the principle characters. Some have grasped that the characters are level, that there is little development. I locate this just halfway obvious. There is much to find some hidden meaning. One who peruses nearly can discover much development in the characters of Ma Joad, Rose of Sharon, Tom, and even Al. At that point there is the previous evangelist, Casy, whose development happened before the Joads’ story even started – yet Steinbeck offers looks of that development in his accounts to the Joads. This watchful examination of the Dust Bowl, the Great Depression, and the impacts of corporatism and the resulting development of neediness is keen and deplorable. Transient ranchers wind up picking leafy foods to offer for unimportant pennies daily, in the interim they can’t encourage their own families.

They look as corporate homesteads consume and pulverize leafy foods to keep the costs high and keep the destitute from taking the “additional.” They see the section of an endless supply of land go unused, however, they can’t plant a couple of carrots since it is claimed by the banks and the transients are accused of trespassing. The “Okies,” as they are called, are dealt with more terrible than creatures. Families break separated and the old, debilitated, or extremely beyond words lack of healthy sustenance and ailment. In the meantime, the corporate ranches and banks keep on making little homesteads bankrupt and plan to keep costs high and wages low. The unmistakable difference can be found in a corporate ranch proprietor, decked out in gold chains, wryly offering work to the urgent Joads amidst a strike. I have heard it said that it is just as of late that individuals are crying “class fighting.” The Grapes of Wrath is a strong case of class fighting before the term was even authored. This book is a period case of times passed – and history will rehash itself on the off chance that we don’t gain from the exercise Steinbeck needs to educate. This book is definitely and exceptionally recommended in my opinion.

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